Posted
April 10, 2012
as many of you know, i’m currently editing my first feature.
i learned a lot on set as a person behind and in front of the camera.
i’m learning almost the same amount in the editing room.
so for the actors who read this blog, i thought i’d make a few notes for you to be aware of for your future acting because there was so much i didn’t know before editing someone’s face for 8 hours a day.
1) do the exact same thing.
this is something i learned in the world of television. if you pick up the cup in your right hand on your second line in the wide, do the same in the rest of the takes. every actors knows this can be almost impossible but in the world of indie filmmaking (or more importantly, in the world of not having a script supervisor), it’s essential.
2) don’t do the exact same thing.
i’m not contradicting myself, i swear.
yes, i want you to pick up that cup at the same time but everything else you did, i don’t want to see that again. if i have three takes of you getting sad on the second line in the exact same tone, i may as well have one take. and for a girl who shot her movie on film, i want to make each one count.
with that in mind –
3) quit planning.
i come from the lesly kahn school of thought. be in the moment. have thoughts. i never knew how important it was until i saw people without thoughts and people with them (i am in this movie by the way and all of this applies to my acting as much as anyone else’s).
i know i said to do each take differently, but planning those out doesn’t work. every time, the actors always did the best (including myself) when i said to throw it all away. that last take where it didn’t matter? that’s the one i’m using. because the thoughts were real and organic. or at least they looked like it. you could be thinking about your grocery list (or your next shot in my case) and it doesn’t matter. the audience projects whatever they want on you. you are having their thoughts.
4) don’t stop acting!
so often i use the scene until the very last moment. or i might just use the last moment instead of something else. if cut is called and the camera is still rolling, don’t leave the scene. have your moment. continue. we see it all in the editing room and it’s useful in the very best ways.
in the editing room, we see everything you’re doing. so if there is ever a moment as an actor where you think, “does anyone know i’m doing this awesome nuanced thing?” or “i treated that last take totally differently and the director didn’t say a word,” that’s because the director has 4000 things on his/her mind. but when you get to the editing room, i see it all and i’m so so happy you did that little nuanced thing. i really am.
to learn more about our film go to bestfriendsforeverfilm.com
even better, we’re raising money on kickstarter for our post-production. every little bit counts. support indie filmmaking.